undyingking: (Default)
A friend (WINOLJ) recently posted a video of one of her children singing a song called "Hop Little Bunny". (Note: this is not the song for very young children in which the bunnies are asleep, are they ill? and wake up.) It goes "Ho-op, ho-op, hop little bunny / Ho-op, ho-op, hop little bunny / Ho-op, ho-op, hop little bunny / Ear-lye in the morning."

Now when I was young we sang a different song to this same tune. But ours was not about little bunnies hopping: instead, it dealt with the very serious question of how best to discipline alcoholism in the serving ranks of Her Majesty's Navy. In successive verses, various punishments were suggested, each crueller and more unusual than the last. It certainly impressed me with a profound respect for the dedication (and ingenuity) of those who defend our freedom on the high seas. I'm not sure if today's generation will really gain the same lesson from the travails of the little bunny in the modern version. But maybe that's a good thing?

[Poll #1528940]

[Edit: I'm blethering on about the song called "What Shall We Do with the Drunken Sailor?"]
undyingking: (Default)
Would you like some delicious tasty vinegar in your beer? Don't knock it until you've tried it! Interesting experiment. The first result -- people liked the blind taste more than the idea -- is not surprising these days, we know people are prejudiced against such bizarre-sounding concepts. And the second result, that people liked the taste less if they knew vinegar was going to be in it, is only mildly surprising. But the third, that people still preferred it if they were told afterwards that vinegar was in it, I found remarkable. As the abstract puts it (my italics), "Disclosure of the secret ingredient significantly reduced preference only when the disclosure preceded tasting, suggesting that disclosure affected preferences by influencing the experience itself, rather than by acting as an independent negative input or by modifying retrospective interpretation of the experience."

Birmingham atheists and Wiccans under the council's cosh -- what I find surprising here is that the "system allows staff to look at websites relating to Christianity, Islam, Hinduism and other religions". Why? Is this a common exception at workplaces that generally ban leisure Web use? If so, then clearly religious websites are the places to site your games. Surely it can't be that so many of the Council staff have work that involves religious sensitivity etc, they found it easier to make a blanket allowance?

Thomas Doyle makes what are basically snowglobes without (usually) the snow, but each depicts an enigmatic scene. Somehow one gets drawn into speculating who these people are, what they're doing here, etc. It's not obvious to me why I find these so appealing, which is a good sign in itself.

Farah Mendlesohn wrote this interesting essay about the Out of this World series of anthologies. These were pretty much my introduction to "proper" SF -- I read them out of the library, around the age of 11 -- for which I count myself rather lucky. She expresses very well what made them remarkable. I have to admit that at the time I didn't know quite what to make of the stories by Calvino etc that were included alongside the genre greats and Eastern European obscurities, but they all helped form me as an SF reader and gave me the important sense of the artificality of genre boundaries. I now want to track down the books, because there are a number of stoies mentioned here that I haven't seen since but remember loving.
undyingking: (Default)
Had the slightly strange experience today of driving to and then walking around Chelmsford, where I spent most of my teenage years. (This was because T had some stuff to do for work but was feeling too grotty to drive [not anything serious], so I took a half-day to chauffeur her.)
You can never go back )

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undyingking

March 2012

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